What does Invitational Language sound like?
Basically, you premise all or most directions in your class with an invitation that reminds students everything is optional. Some common examples of invitational language:I invite everyone to take a comfortable seat on their mat.
Feel free to stand or lay down if that’s more comfortable for you today.
Eyes can be closed or open.
Option to add movement by lifting and lowering your arms.
What’s the effect of Invitational Language?
Like most practices in yoga, invitational language can feel awkward and clumsy at first. After a few successful sessions, teachers start to recognize positive effects. Students that came into a mandatory class adamant about not liking yoga begin to soften. Students that insist they are only going to read a book during class surreptitiously listen to a guided meditation and may try other techniques in the privacy of their own rooms. Our volunteers often share that their most sullen student surprised them by saying yoga was the best time of the week. How can repetitive invitations and extra options magically turn haters into fans? “It’s about the sharing of power,” explains Holmes de Castro, “particularly in settings where the class is mandatory. Invitational language communicates respect. Students get to be in charge of a certain amount of their experience.”How do trauma-informed teachers manage safety?
Most yoga teachers aren’t issuing commands because they’re inherently bossy, but because they want to ensure a safe practice for everyone. But how do we relinquish control of all the knee and ankle positions without risking injuries? Holmes de Castro concedes that if there was an imminent concern she would gently intervene, but adds that safety is rarely an issue in these classes. Trauma-informed sessions usually prioritize the inner experience over physical challenge. She adds, “If I’m issuing orders – put your right foot forward, not that much, a bit more – I’m less likely to create a class culture where people feel comfortable doing something different because actually it kind of hurts their hip when they do that.”What if students want direct instructions?
And what if students insist on knowing the “correct” alignment? Holmes de Castro suggests creating an opportunity for the student to investigate. For example:If you put your foot right here, does that feel better or worse?
Does that way feel more stable or less stable?
She explains that in addition to giving the student skills to adjust their own practice, responding like this communicates to all the other students that everyone’s practice can look a bit different and still be “right.”